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In Winter, 2004, artist-in-resident, Mark Lilly, met with physical education and Spanish classes to teach Afro-Cuban song, percussion, and dance. This residency introduced students to the geography, history, people, cultures, music and dance of Cuba. Students learned about the roles that song, dance and percussion play in traditional and contemporary settings in Cuba as historical records and archives, tools and vocabulary for conversation, and art spaces for expressing identity. Specifically, Mr. Lilly taught and helped students participate in the Congolese rooted Afro-Cuban music and dance complexes of Makuta, Rumba and Comparsa.
All
student participants were engaged in this residency through many of their multiple
intelligences. During the pre-residency class, students studied maps of African
Diaspora in the Americas, and labeled a map of Spanish-speaking countries in
the Caribbean Region and a map of Cuba. Mr. Maggart, Spanish teacher,l led the
students through a power point presentation that introduced the students to
many of the important places connected with this residency: Spain, Northern
Africa, West Coast Africa, The Caribbean Islands, Cuba, Havana, Matanzas, and
Santiago de Cuba. Each class session with Mr. Lilly included several short segments
that reveal and involve the students in music listening, video viewing, writing,
discussion, percussion/rhythm warm-ups, call-and-response singing, dance, and
reflective self-assessment. After Mr. Lilly’s three residency sessions,
students viewed the first hour of Roots of Rhythm with Harry Belafonte –
“Across the Ocean” and used a Viewing Guide to help them become
familiar with the people and musical traditions that came to Cuba from Europe
and Africa.
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Teacher Resources |
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| Roots of the Caribbean: Physical Education | |
| Roots of the Caribbean: Spanish | Residency Plan |
| KWL (Know, Want, Learned) Chart | KWL |
| Vocabulary List | Vocabulary |
“Roots of the Caribbean” is among projects sponsored by the International
Arts Consortium, which serves John Stanford International School and Hamilton
International Middle School, with major funding from Washington State Arts Commission,
the International Business Breakfast, and PTSAs at each school. Thanks to all
contributors. Thanks, especially, to teacher Justin Maggart for developing the
materials for this residency.