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Nathan Hale
Harlem Renaissance Project
![]() In my piece the main focal point is the tree depicted in the biggest picture. The tree branches out onto the smaller painting. This is because it is witnessing the events. The tree represents life: all the boxes of color show different skin. The tree's pattern symbolizes different skin colors on one tree of life. In the boxes the branches are outlined in red to show birth or death. The smallest picture is of two people being taken away and put into a different world. The sky bleeds and the night sky is deep and empty enough to jump into. The sides of the box with the people are painted with corn fields and cotton fields because slaves were always used for something. The bigger painting to the right shows liberation: the man is climbing the ladder to development and freedom. Overall, the piece shows growth and acceptance and people overcoming and becoming strong because of their difficulties.
My
inspiration for this work of art is the jazz musician Louis
Armstrong. I am very fond of his musical talent and his song
lyrics which are closely linked to the themes and ideas for this
project. Each section of this piece was individually selected
from the many jazz songs he has written. When our class researched the
different artists of the Harlem Renaissance, one type of art really
stood out to me. This type of art was by Aaron Douglas. He
used geometric shapes to depict important meanings and history within
his artwork. I really was drawn to his strictly black and white
pieces.
The main theme of my work is "creation of a new Negro culture". This is because of the many African Americans who started to create their own music and lifestyle. The lyrics from each of the songs also represent the beginning of the new Negro lifestyle. As their culture began to grow, the African American people and their lives blossomed as well. ![]() My
inspiration for this drawing comes from the joy of singing and music
and jazz
reflected in the portion of Rhapsody
in Blue (1925), a painting by Miguel
Ducland Covarrubias, that I based my own art off of: a joy that so
perfectly
mirrors my own. I love jazz and I
wanted to pay some sort of tribute to this art that I enjoy so much in
a way
that would somehow encapsulate its freedom, spontaneity and vitality. Jazz
seems like it should be performed in a smoky, dark, intimate nightclub,
so I
tried to capture that with dark, smoky charcoal that contrasted with
the energy
radiating from the singer. I also
haven't worked with charcoal for a while, so it was fun to experiment
with it
and see what I could do. I actually did
most of the work in one day. I started
sketching it in the morning, and finished the drawing late that night
because I
didn't want to lose my train of thought or forget the ideas and images
I had in
mind. I
thought about a couple of themes relating to the creation of jazz
while looking for a piece of artwork to re-interpret.
I found that I couldn't choose just one, so I tried to
incorporate elements of three hat I felt worked together: self-worth,
self-identity and the creation of a new Negro culture.
I saw self-worth and self-identity expressed
in the singer's confidence and security in the picture: she seems to
have no
inhibitions or fears of bearing her soul for all to see.
The theme of a new Negro culture was, in my
mind, the growth of jazz, a movement of the Harlem Renaissance so
essential,
that the 1920's were known as the "Jazz Age." Jazz,
unlike most styles of music, relies
heavily on personal interpretation, on trying to express what you feel
through
the melody or lyrics of a song, even though you may change them
drastically in
an effort to most perfectly convey whatever you want to express. I wanted to illustrate that freedom.
![]() This picture was based on the style of many pf the paintings we looked at in class. It features bold, two-dimensional shapes and is done with a stylized look instead of with realism; the shapes are simplified, and are mainly silhouettes. I wanted it to look sort of moody and jazzy, so it is all in blue and black, except for the minimal white highlights and the red dot at the top of the Empire State. I selected this particular medium after I had mapped out the image in the computer. I considered painting it, but it seemed as though paper cutouts would produce a really bold, simple image that would best replicate what I had made with the computer. The layers of cutouts give some depth to the image. Also, many paintings from the Harlem Renaissance featured such bold, simple designs. The picture features a man standing alone in New York City playing his saxophone. This in itself touches on many of the themes of the Harlem Renaissance, such as self-sufficiency (he is standing alone), self-identity; self-worth and pride (probably the main themes of the piece), and the creation of a new Negro culture. Jazz in itself was an aspect of that new culture, and was a way of expressing oneself. The song that he is playing was written by Duke Ellington in 1933, and is entitled "Drop Me Off in Harlem." It was notably sung by Ella Fitzgerald, and is basically about leaving the South for Harlem, which also applied to the theme of "crossing borders." I designed this work with the computer using Adobe InDesign. Once I had an image that I liked, I printed it with a one-inch grid on it. I then cut the paper to size, mapped the image onto the back using a two-inch grid, and cut it out with an exacto-knife. I glued the paper down to a piece of 2-ply museum-board using rubber cement. I used a white-out correction pen to draw the lines. As it turned out, the project went smoothly up until it came to finding the music; it can be very difficult to find a specific piece of sheet music on the Internet that is royalty free. I found a few possibilities, but many of them just didn't seem to apply to the themes. I drew the notes with a white-colored pencil. ![]() Dance
to Harlem
My
inspiration came from Aaron Douglas's "America". I especially
liked how his painting instantly grabbed my attention. I tried to
recreate that in mine. The theme of my painting is the musical
advancements and awareness of African Americans during the Harlem
Renaissance. During this period many musicians sprang out onto
the mainstream culture. Musicians such as trumpeter Louis
Armstrong, saxophonist Sidney Bachet, bassist Pops Foster and pianist
Duke Ellington are just a few of the great many who contributed to the
music of Harlem. My painting represents the musical achievements
of their time and the lifestyle of those who embraced it.
Before starting on this project I knew immediately that I wanted to do something that represented their musical achievements. Being the least musically inclined person around, I decided to put my painting skills to the test. While I painted I grew to appreciate the dedication they had. I reflected upon the struggles they experienced and how they overcame them through their music. With this new found appreciation, I greatly respect and thank them for all that they contributed. ![]() Evening song This
piece is a visual interpretation of Jean Toomer's piece "Evening
Song". This particular poem really struck a chord with me because
anyone can relate to the kinds of emotions this piece holds.
Toomer talks of "full moon rising on the waters of my heat, lakes
moons and fires". To me that line signifies an emotional struggle
that everyone has to deal with. In his case he had to deal with
all the criticisms against his race and against the fire that keeps his
pride and hope alive, while the water signifies the people who try to
dampen the fire of hope within his heart. I decided to pick three
defining colors that will keep the piece simple but bold, not too
shocking, just enough to make anyone feel at ease.
"Promises of slumber leaving shore to charm the moon, miracle made vesper-keeps, cloine sleeps and I'll be sleeping soon.". This kind of signifies a death of a dream but at the same time it signifies an awakening. I wanted the person to look dreamy and alive at the same time, so I placed fire and water counteracting each other. |